Téléphone : :+41 22 379 0732/1379
Uni Philosophes, 22 bvd des Philosophes, bureau 235
Adresse postale: Rue de Candolle 5, 1211 Genève 4
Prof. Zimmermann is also director of the Confucius Institute at the University of Geneva
Research and publications
Digital Humanities; Science and Technology Studies; Sound Studies; Design Studies; China; Middle East
Projects and collaborations
Waves and Forms: Electronic Music Devices and Computer Encodings in China. Inside Technology Series. Cambridge, Mass.: MIT Press, 2015. Download the first chapter. See also the conference Technology and Cultural Difference at Lift10, the presentation of the book Waves and Forms at Cornell University, and the one-page summary of the main concepts.
Lexique du chinois contemporain, with Grâce Poizat-Xie and Delphine Goldschmidt-Clermont. Paris: L’Asiathèque, 2013 (215 p.).
Caractères chinois courants, with Nicolas Zufferey. Paris : Youfeng, 2007 (160 p.)
The Impact of Western Technology on Chinese Culture: Beijing Electronic Musicians Practices as Observation Field of the Relationship Between Technical Objects and Artistic Creation, PhD thesis, Cyberthèses, University of Geneva, 2006 (318 p.) [in French]. See also the interview by the Swiss National Television History of Knowledge, Outstanding Swiss young scientists series [in French], and the presentation at the ANR IMPROTECH project [in French ] in Tatihou.
"Waves and Forms: Constructing the Cultural in Design." with Ammar Halabi. AI & Society (accepted, forthcoming).
“Database Green: Software, Environmentalism and Data Flows In China.” with Matteo Tarantino. The China Quarterly (2017, First View).
“Taxonomy and Notation of Spatialization.”, with Emile Ellberger, Germán Toro Pérez, Linda Cavaliero, Johannes Schütt, and Giorgio Zoia. TENOR Conference 2016 proceedings, pp. 212-219 (for a better overview of the taxonomy, see the poster).
“Circulation: A Theoretical Toolkit”, with Nicolas Nova. Design and Culture Vol. 7-2 (2015), pp. 167-184.
“Expect the Unexpected: Experimental music, or the ignorance of sound design.” In Routledge International Handbook of Ignorance Studies, edited by Gross Matthias, and McGoey Linsey, 97-104. London: Routledge, 2015.
“Participate, Collaborate, and Decide: Defining Design Problems in a Syrian Community.”, with Ammar Halabi and Michèle Courant. Sixth International Conference on Information and Communication Technologies and Development (ICTD’13), 2013.
“Materiality, Description and Comparison as Tools for Cultural Difference Analysis.” In A Companion to New Media Dynamics, edited by John Hartley, Jean Burgess, and Axel Bruns, 439-49. Oxford: Wiley-Blackwell, 2013.
"Designing Social Media using Social Media : Lessons from a Syrian Community”, with Ammar Halabi and Michèle Courant. CHI 2013 workshop on Designing Social Media for Change, 2013.
“The Use of Comics to Reveal the Action of Technical Objects.” In Howard Becker et les mondes de l’art, edited by Pierre-Jean Benghozi, and Thomas Paris, 259-73. Paris: Editions Ecole Polytechnique, 2012 [in French].
“Words of the Second Level”, with Grâce Poizat-Xie. In G. Poizat, Vocabulaire du chinois contemporain 2, 135-63. Paris: L’Asiathèque, 2012.
"La Chine aujourd'hui: Techniques d'analyse du présent", en collaboration avec Nadia Sartoretti. Asiatische Studien / Études Asiatiques 66, no. 1 (2012): 163-87.
“Analyzing Social Networking Web Sites: The Design of Happy Network 开心网 in China” In Global Design History, edited by Glenn Adamson, Giorgio Riello, and Sarah Teasley, 153-62. New York: Routledge, 2011.
“Redesigning Culture: Chinese Characters in Alphabet-Encoded Networks”, Design and Culture (Berg Publishers), vol. 2-1 (2010), pp. 27-43.
“Words of the First Level [in French]”. In G. Poizat, Vocabulaire du Chinois Contemporain 1, 135-163. Paris: L'Asiathèque, 2008.
"The Containers Approach : An Inductive Method to look at Cultural Difference in a Technological Environment." Poster presentation, World Knowledge Dialogue, Crans-Montana, Switzerland, September 10-13, 2008 (Best Poster Contribution Award).
"Doing Chinese Studies at the Crossroads of Grounded Theory and Actor-Network-Theory." 7th International Conference on Social Science Methodology, Cd-rom (Balbi S, ed.), Naples, Italy, 2008.
“Uncovering Cultural Issues in the Internet of Things: A Design Method.” Paper presented at the Internet of Things 2008 (Social-IoT Workshop, Designing the Internet of Things for Workplace Realities: Social and Cultural Aspects in Design and Organisation), Adjunct Proceedings, Florian Michahelles (Ed.), pp. 100-104, Zurich, 2008.
«Tracing the Action of Technical Objects in an Ethnography: Vinyls in Beijing », In Qualitative Sociology Review, Vol. III Issue 3 (2007), pp. 22-45. See also the video on Cornell University's website.
«When the Chinese Teach Us What Technology is Really About» To wards a Knowledge Society: Is Knowledge a Public Good?, ESSHRA Conference proceedings, Bern 12-13th of June 2007.
«Technology is Culture: Two Paradigms». In Leonardo Music Journal, (Cambridge, Mass.: MIT Press), 15.1 (2005), pp. 53-57.
«Technology's Attitude Toward The Chinese: Synthesizers, Music Software and Turntables in Contemporary Beijing», Harvard Project for Asian and International Relations 2004, Science and Technology Workshop proceedings, Shanghai, 18-21of August, 2004 (19 p.)