Images and sources
Sources for slideshow images:
Hillis, David M., Derrick Zwickl, and Robin Gutell. The Tree of Life. University of Texas, Austen.
http://www.zo.utexas.edu/faculty/antisense/downloadfilestol.html
de Larmessin, Nicolas. An allegorical figure wearing a large variety of surgical in Wellcome. 1695. Licensed under Public Domain via Wikimedia Commons: http://commons.wikimedia.org/wiki/File:An_allegorical_figure_wearing_a_large_variety_of_surgical_in_Wellcome_V0016703.jpg
See also Karen Raber's paper and abstract: "“Visualizing the Renaissance (Post)Human."
Arcimboldo, Giuseppe. Vertumnus (Emperor Rudolph II). 1590. Skokloster Castle. Licensed under Public Domain via Wikimedia Commons:
See also Karen Raber, “Visualizing the Renaissance (Post)Human”
Howell, Burgess. New Earth-Observing Instrument Installed on the International Space Station. NASA Earth Observatory. https://www.flickr.com/photos/gsfc/8540216464/in/photostream/
See also "Posthuman Borders" panel of papers.
Bök, Dr. Christian. The Xenotext Experiment. 2008. http://www2.law.ed.ac.uk/ahrc/script-ed/vol5-2/editorial.asp
See also Ann Keniston, "Posthuman Economics: Systems of Exchange in Christian Bök’s Recent Sequences.”
National Institutes of Health. Lung cancer cell during cell division. Licensed under Public Domain via Wikimedia Commons:
http://commons.wikimedia.org/wiki/File:Lung_cancer_cell_during_cell_division-NIH.jpg
See also Karolina Kazimierczak, “On Being/Becoming in Cancer Services: Posthumanist Identities in Prostate Cancer Care."
Mixotricha paradoxa. 2006. Licensed under Public Domain via Wikimedia Commons: http://it.wikipedia.org/wiki/File:Mixotricha_paradoxa_profile.png
Merian, Maria Sibylla. Bottom part of plate LXXI, from Veranderingen der surinaemsche insekten. 1719. Licensed under Public Domain via Wikimedia Commons: http://commons.wikimedia.org/wiki/File:Metamorphosis_insectorum_Surinamensium_LXXI.jpg
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Promotional photo of Boris Karloff from The Bride of Frankenstein. 1935. Public domain: http://commons.wikimedia.org/wiki/File:Frankenstein%27s_monster_(Boris_Karloff).jpg
See also Thibaud Danel, “After the Frankenstein ‘Monster’: The Post-Human Avatars of the Frankenstein Creature in Contemporary Science-Fiction” and Erin Edwards, "Fissures, Sutures, Grooves."
Promotional photo for Jean Cocteau's La Belle et La Bête. 1946. Public domain. (Screen grab from https://www.youtube.com/watch?v=gjk5QljwyTY)
Churchard, Graeme. Aboriginal rock art on the Barnett River, Mount Elizabeth Station. Licensed under Public Domain via Wikimedia Commons:
See also Alan S. Montroso “Caverns of the Inhuman: Porous Bodies and Posthuman Subjects in Premodern Literary Representations of Caves”