Art history: the manufacture of the nation? The notion of style between identity constructions and spatial approaches.

 

Authors:

  • Michela Passini - Université Paris 1 Panthéon-Sorbonne

 

 

Michela Passini

Born in 1980, Michela Passini studied at the Scuola Normale Superiore in Pisa, where she defended, under the direction of Enrico Castelnuovo,  her doctoral thesis, Le nationalisme et les origines de l'histoire de l’art France and Germany, 1870-1933 (published in 2012 by the Maison des Sciences de l'Homme - German Centre for Art History). Afterwords she joined the Institut National d'Histoire de l'Art as a post-doctoral fellow, and in 2012 the Centre national de la recherche scientifique (CNRS), where she works on history of art knowledge as well as   history of museums and heritage.

She teaches at the Ecole du Louvre, where she directs the research group of the Master1 History of Museology. Among her works, the critical edition of the German correspondence of Eugène Müntz (Paris, Armand Colin, 2012), L'oeil et l'archive. Une histoire de l'histoire de l'art (Paris, La Découverte, 2017) and two issues of the Revue germanique internationale on the transnational history of museums (2015) and on the practice of translation in history and art history (2020), which she edited, respectively, with Pascale Rabault-Feuerhahn and Blaise Wilfert.

 

 

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